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![Carnage For Christmas](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/08/CARNAGE_FOR_CHRISTMAS_STILLS_1.149.1.jpg)
We spoke with 'Carnage For Christmas' director Alice Maio Mackay Mackay about the film’s killer set pieces, its use of…
![Carnage For Christmas](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/08/CARNAGE_FOR_CHRISTMAS_STILLS_1.149.1.jpg)
While a slight departure from her previous works, Alice Maio Mackay's 'Carnage For Christmas' is a bloody and unabashedly queer…
![The Empty Space](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/06/emptyspace.png)
In 'The Empty Space', Andrew Jara shows a dreadful curiosity and depicts compelling visuals that show tremendous promise for future…
![Boston Underground Film Festival The Unheard](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=285,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/03/THE-UNHEARD-Still-2.jpg)
Cass Clarke pens a personal essay about their connection to 'The Unheard' and the film's empathetic depiction of hearing loss.