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We spoke with Little Bites cinematographer Andy Patch about shooting the blood-filled finale and how the 1970s shaped the film's…
We spoke with 'Out Come the Wolves' cinematographer Christian Bielz about working with real wolves, creating a sense of isolation,…
We spoke with 'The Girl In The Pool' composer Adam Bosarge about non-orchestral scores, his favorite composers, and more.
We spoke with 'Nightwatch: Demons Are Forever' composer Ceiri Torjussen about moth sounds, working with the 'Scream' composer, and more.
We spoke with 'Killer Body Count' composter Spencer Creaghan about organ music, Riot Grrrls, and more. Read now on Dread…
Collin Brazie explains how he worked with Larry Fessenden to make their film 'Blackout' feel like a modern twist to…
Dread Central spoke with 'Bag of Lies' director David Andrews James about his directorial debut and how David Fincher was…
We spoke with 'Loop Track' composer Mike Newport about using nature as his primary instrument and how 'Jurassic Park' inspired…
'Double Blind' director Ian Hunt-Duffy spoke with Dread Central about modern Ireland, his love of the horror genre, and more.
Dread Central spoke to composer Lasse Enersen about using folk music, Christmas music, and heavy metal in the film's score.
We spoke with 'Appendage' cinematographer Powell Robinson about working with puppets, how Guillermo del Toro influenced the film, and more.
'That's A Wrap' cinematographer Marcus Friedlander discusses paying homage to the famous Psycho shower scene, the throat sequence, and more.
