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We spoke with the 'Don't Look Away' cinematographer Athan Merrick about everything from his giallo inspiration to the toughest scene…
Dread Central spoke with 'Belle' composer Max Orenstein about using wind throughout the score, the importance of bathrobes, and more.
Dread Central spoke with Anubys Lopez about his new film 'Aged', getting inspiration from A24 films, and much more.
Dread Central spoke with 'Leave' composer Jamie Christopherson about how he crafted the distinctly Nordic sound for the new Shudder…
Dread Central spoke with 'Malum' cinematographer Sean McDaniel about the flashlight as a character, expanding the world's universe, and more.
We spoke with 'Spoonful of Sugar' cinematographer Nick Matthews about the techniques he used to make the movie feel as…
Dread Central spoke with 'Alone At Night' Cinematographer Peter Buntaine about 90s horror, giallo, and more.
Dread Central spoke exclusively with 'Hellraiser' production designer Kathrin Eder and had her break down the look of the new…
Dread Central spoke with 'Pretty Little Lairs: Original Sin' cinematographer Anka Malatynska about vintage horror, using darkness, and more.
We sat down with 'The Bunker Game' composer Umberto Smerilli to discuss how he wrote the film's score, including inventing…
We sat down with composer Barry J. Neely to discuss how he created the chilling score for Shudder's 'Slapface'.
We sat down with 'Stoker Hill's cinematographer John Orphan to discuss his use of darkness, found footage, and more.
