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![Javier Bardem as Romeo in Perdita Durango](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/09/Perdita-Durango-2.png)
In the latest Horror En Espanol, Mikey Peralta Jr. looks back at the underrated cult classic 'Perdita Durango'. Read more…
![Billy the Puppet and Cecilia Pederson in Saw X](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/10/Billy-the-Puppet-in-Saw-X.png)
Saw X has plenty to say by placing the iconic John Kramer in Mexico desperately searching for a cure of…
![Virus-32](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/08/Virus32.png)
Mikey Peralta, Jr. looks at the Uruguayan film 'Virus-32' and how it subverts the usual zombie film tropes. Read more…
![Shine in Tigers Are Not Afraid](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=308,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/07/Tigers-Are-Not-Afraid.png)
From 'Huesera: The Bone Woman' to 'Canoa', these are 10 of the most important and powerful examples of Mexican horror…
![Blasco, Mariela, Marta and Lidia sitting the van Nessa](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/06/Blasco-Mariela-Marta-and-Lidia-in-The-Passenger.png)
The Passenger combines comedy, horror tension, and sci-fi elements to create a terrifying road trip narrative.
![The Last Matinee](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/05/The-Last-Matinee.png)
In the latest Horror En Español, Mikey Peralta, Jr. examines the disturbing Uruguayan neo-giallo film 'The Last Matinee'.
![Welcome To Hell](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=226,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/04/WelcomeToHell_Still-5.jpg)
With non-linear story-telling and stylistic lighting, 'Welcome to Hell' is an Argentinian atmospheric Black Metal delight.
![Selma with Transformed Eyes](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/03/Selma-as-La-Llorona-in-Curse-of-the-Crying-Woman.png)
Mikey Peralta, Jr. explains why Rafael Baledón's 'The Curse of The Crying Woman' is the best adaptation of the La…
![zombi child](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none/wp-content/uploads/2023/02/1278161.jpeg)
Mikey Peralta, Jr examines the 2019 horror film 'Zombi Child' and its examination of the zombie's Haitian origins.