New The Witch Featurette Teases a 17th Century Nightmare
Another day, another look at A24’s upcoming release of The Witch… on tap today Crypt TV joins us to present a new featurette that tells us how the film represents a 17th century nightmare. Let’s hope it’s one we can wake up from!
In this exquisitely made and terrifying new horror film, which debuts on February 19th, the age-old concepts of witchcraft, black magic, and possession are innovatively brought together to tell the intimate and riveting story of one family’s frightful unraveling.
Directed and written by Robert Eggers, The Witch (review) stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, and Lucas Dawson.
To learn more, visit the official The Witch website, “like” The Witch on Facebook, and follow The Witch on Twitter. Be sure to use #TheWitchMovie and @TheWitchMovie in your posts!
Synopsis:
Set in New England circa 1630, The Witch follows a farmer who get cast out of his Colonial plantation and is forced to move his family to a remote plot of land on the edge of an ominous forest rumored to be controlled by witches. Almost immediately, strange and unsettling things begin to happen–the animals turn violent, the crops fail, and one of the children disappears, only to return seemingly possessed by an evil spirit. As suspicion and paranoia mount, everyone begins to point the finger at teenage daughter Thomasin. They accuse her of witchcraft, which she adamantly denies… but as circumstances become more and more treacherous, each family member’s faith, loyalty, and love will be tested in shocking and unforgettable ways.
Writer/director Robert Eggers’ debut feature, which premiered to great acclaim at the 2015 Sundance Film Festival (and won the Best Director Prize in the U.S. Narrative Competition), painstakingly recreates a God-fearing New England decades before the 1692 Salem witch trials, in which religious convictions and pagan folklore famously clashed. Told through the eyes of the adolescent Thomasin — in a star-making turn by newcomer Anya Taylor-Joy — and supported by mesmerizing camera work and a powerful musical score, The Witch is a chilling and groundbreaking new take on the genre.
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