Fantastic Fest 2012: New Trailer and Artwork for Lost Aussie Film Wake in Fright
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It’s always nice to see a lost film find an audience, and that is indeed the case with Wake in Fright. The flick is set to screen at this year’s Fantastic Fest in Austin, Texas, but we also have the skinny on when and where you can dig on it should you not be in the Longhorn State.
Ted Kotcheff’s award-winning film Wake in Fright opens theatrically in New York on October 5th at The Film Forum (NYC), October 19 at The Nuart (LA) and will have a national release to follow in major cities after screening at Fantastic Fest 2012 this week (Drafthouse Films).
FANTASTIC FEST 2012 SCREENING TIMES:
Saturday, September 22 at 9:00pm (ALAMO LAMAR)
Wednesday, September 26 at 12:00pm (ALAMO LAMAR)
“Wake in Fright is a deeply – and I mean deeply – unsettling and disturbing movie. I saw it when it premiered at Cannes in 1971, and it left me speechless. Visually, dramatically, atmospherically and psychologically, it’s beautifully calibrated and it gets under your skin one encounter at a time, right along with the protagonist played by Gary Bond. I’m excited that Wake in Fright has been preserved and restored and that it is finally getting the exposure it deserves.” –Martin Scorsese, 2012
“Powerful, Genuinely Shocking & Rather Amazing!” -Roger Ebert, Chicago Sun Times
“The Best & Most Terrifying Film About Australia In Existence.” -Nick Cave
Alongside Mad Max and Walkabout, Wake In Fright is widely acknowledged as one of the seminal films in the development of modern Australian cinema. Combining the backwoods horror of Deliverance and the gritty nihilism of Straw Dogs, the film tells the story of a British schoolteacher’s (Gary Bond) descent into personal demoralization at the hands of drunken, deranged derelicts (including a very inebriated “doctor” played by Donald Pleasence), while stranded in a small town in outback Australia.
The film made its world premiere at the 1971 Cannes Film Festival, where it was nominated for a Palme D’Or and its US distribution rights were sold. Retitled Outback and hurried into a few theaters across the country, the film barely played for more than a week before it was yanked from circulation due to poor attendance and lack of advertising. Wake in Fright vanished into obscurity, barely reviewed by American critics and not ever appearing on domestic VHS or DVD.
For over three decades the film materials were thought to be lost until the film’s persistent cinematographer unearthed the original negative elements in Philadelphia in canisters marked for destruction just one week away from its impending incineration. The materials were painstakingly restored frame-by-frame at Sydney’s At Lab Deluxe with the support of the National Film and Sound Archive of Australia. The new restoration was invited back to Cannes by guest curator Martin Scorsese, where it held the honor of being one of two films to ever screen twice at the festival (the other being Antonioni’s L’Avventura).
Virtually unseen in the US and renowned in its home country after years of neglect for its daring criticism, Wake in Fright is ripe for rediscovery and returns after 40 years to reclaim its title as one of the most awe-inspiring, brutal and stunning films of all time.
Wake in Fright is the story of John Grant (Gary Bond), a bonded teacher who arrives in the rough Australian outback mining town of Bundanyabba, planning to stay overnight before catching the plane to Sydney. But, as his one night stretches to five, he plunges headlong toward his own destruction. When the alcohol-induced mist lifts, the educated John Grant is no more. Instead there is a self-loathing man in a desolate wasteland, dirty, red-eyed, sitting against a tree and looking at a rifle with one bullet left.
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