Big Tits Zombie/Zombie Stripper Apocalypse (DVD)

default-featured-image
Cover art:

news/oct12/bigtits.jpg

Big Tits Zombie/Zombie Stripper Apocalypse (DVD)Starring Sora Aoi, Risa Kasumi, Mari Sakurai

Directed by Takao Nakano

Distributed by Entertainment One


Gonzo Japanese horror comedies are definitely not for everyone. Such films like RoboGeisha and Vampire Girl vs. Frankenstein Girl display some method to the madness, inventive visuals, a kinetic energy, some semblance that what you’re watching is an actual film as loony as it may be. Definitely an acquired taste, a taste I am willing to admit to only enjoying in limited doses.

Sometimes these films just leave a bad taste. Big Tits Zombie is the original title of the motion picture released in what few remaining Blockbuster’s there are as Zombie Stripper Apocalypse. This was actually released in Japan in 3D? Seriously?

You would assume a movie originally titled Big Tits Zombie would boast loads of nudity, especially when you consider the busty stars of the film are all Japanese adult video actresses appearing in a non-penetration role. You would assume a movie titled Zombie Stripper Apocalypse featuring scantily clad exotic dancers battling the undead would deliver lots of over-the-top gore and creative zombie slaughtering action. You do get all three but in surprisingly limited doses.

Cheap digital splatter abounds whenever the women don swords and chainsaws to fight off the walking dead. A scene or two of gut munching shows off the sort of practical effects work you’ll wish there was more of. There is such a deficit of zombie fighting action that the film opens with a zombie fighting sequence lifted from the climax that then repeats itself in its entirety when the film comes full circle. Keep in mind the movie is barely 70 minutes long.

There are only a handful of topless scenes, and the first bit of nudity doesn’t even occur until nearly halfway into this movie that boasts the production values of a no-budget porn movie shot on VHS and transferred over to digital. The lack of nudity early on is something the movie even tries to laugh off by having a male character around the 20-minute mark break the fourth wall to complain about how bad the film is. No sex scenes, either; shocking, considering the cast is almost entirely women who make a living having sex on camera. Not even any tentacle rape (though it is teased and joked about). Contrary to the original title, there are no zombies with big tits. A Japanese movie called Big Tits Zombie starring AV stars doesn’t even succeed at being sufficiently sleazy; that alone should be grounds for the filmmaker to commit seppuku.

Problem is that this movie isn’t really about gratuitous nudity or zombies or big breasted gals battling the undead. The razor thin storyline deals with the discovery of a Necronomicon in the bowels of a Japanese strip club that leads the one Gaga-esque Goth stripper to raise the dead and go mad with power; her vague plan is to force all women to dress in their slutty Halloween costumes every day of the year by making Halloween every day, or some crap like that. But that’s still not really what it’s about. The whole sorry spectacle is really more like an endless stream of non sequiturs that rarely amount to anything beyond inane gibberish.

The illiterate stripper admonishing a co-worker: Sorry I never learned to read, Maria. I was too busy not being a cunt.

Villainess to heroine during the final battle: I always did despise you. Now I’ll step on your stupid dead face with a shoe that’s covered with dog shit..

A male driver acting strange as he pulls up to take one of the girls to the club: It’s not what it looks like. I was just masturbating. Or is that what it looked like? You should probably wipe down the seat..

There’s sophomoric humor, and then there’s whatever the hell this is. Even worse is how the humor frequently turns meta by having the strippers talk as if they know they’re appearing in a terrible movie and by having the “director” voice his complaints about how his dumb actresses can’t take proper direction, the budget being so low they have to recycle the same four or five zombie extras and how bad the movie is in general.

A stripper’s thoughts before segueing to her backstory: God, I’m so bored. Guess I might as well flash back to how I got here.

One stripper to another after she points out which one of them will turn evil before the end of the movie: “You know you’re supposed to say “spoiler alert” first.”

Laughing yet? Maybe you will during the climax when a dreadlocked guy with blue face paint and horns emerges from a fiery pit and complains that he’s supposed to be on the set of Big Schlong Ogres instead.

How about one more?

The strip club MC introducing the middle-aged stripper as she takes the stage: Mamie might be a little past her prime, but the good news is she can’t get pregnant! Let’s hear it for menopause!

Hope you laughed because that was the best joke in the whole movie. Well, that and the one all-too-brief scene where a zombiefied stripper turns and blasts fire out of her hoo-ha. That was quite an image but not one that leads to anything other than a momentary WTF moment.

Big Tits Zombie, Zombie Stripper Apocalypse, whatever you want to call it, it makes OneChanbara look Kurosawa-esque by comparison.

Did I mention all these brilliant bon mots are delivered with English dubbing that so poorly synchs up with the actors everybody sounds like they speak in voiceover? There is no option for switching the audio to the original Japanese language track with English subtitles. The menu screen only comes with two options you can click on. Unfortunately, one of those options is PLAY.

Special Features

  • 2D and 3D versions, plus two pairs of 3D glasses
  • Making-of featurette

    1 out of 5

    Discuss Big Tits Zombie/Zombie Stripper Apocalypse in the comments section below!

    Tags:

    Categorized:

    0What do you think?Post a comment.

    Play Episode
    55min
    Scarred For Life
    Little Cuts 182: A Weird Little Gay Movie on Netflix
    It's a new Little Cuts, baby! This week, we're talking:The Parenting (Max)Novocaine (in theaters)Night of the Zoopacalypse (in theaters)Control Freak (Hulu)The Studio (Apple TV+)SXSW 2025 RundownFollow Mary Beth, Terry and the Podcast on Bluesky. We’re also on Twitter (sorta) with the same usernames. We also have a Letterboxd HQ account, so follow us there, too! Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
    Girl, That's Scary
    FROM Season 2 (Ft. Sharai, the Slayer)
    Hidey-Ho, Friends!This week on the GTS podcast, we're headed back to Fromville and reporting live from a charter bus with our friend, Sharai, the Slayer. Tap in to hear our thoughts on season 2, dissect the secrets of the town, chop it up about these talismans, and so much more!Thanks for sharing space with us, Sharai✨See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
    Scarred For Life
    Episode 267: The Legendary John Harrison and The Haunting (1963)
    This week we chat with filmmaker, producer, composer, writer, author...this guy's done it all...John Harrison. From working with George Romero on everything from Creepshow and Dawn of the Dead to Tales from the Darkside to the Dune miniseries to his Netflix series Residue...he's done it all. He even directed Tales from the Darkside: The Movie, which was Andrew LaSane's Scarred for Life pick, which is one of Terry's favorite movies. We chat about his long history in cinema; about how he started working with Romero to some insights into Tales from the Darkside. And we discuss his latest work, the novel Residue: Paramentals Rising, which is a sequel to the Netflix show. After learning about his horror history--including a memorable viewing of Night of the Living Dead--we find out why The Haunting terrified him as a twelve year old. John references an article written by Anthony McKay in Little Shoppe of Horrors, which can be ordered here. You can find Residue: Paramentals Rising wherever you buy your books or at WordFire Press.You can follow John on his website or Instagram and Facebook.Follow Mary Beth, Terry and the Podcast on Bluesky. We’re also on Twitter (sorta) with the same usernames. We also have a Letterboxd HQ account, so follow us there, too! Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
    Post Mortem with Mick Garris
    DARK SANCTUM: Audio terror from DREAD and Wondery+ [Exclusive Sneak Peek]
    Wondery+ and DREAD present you with an exclusive sneak peek of the terrifying audio anthology series DARK SANCTUM.Tune into terror for a new season of Dark Sanctum, the premier horror anthology audio series from the DREAD Podcast Network, available exclusively on Wondery+From the twisted team responsible for top-charting horror podcasts like Inside JAWS and Inside THE EXORCIST, Dark Sanctum is an award-winning scripted anthology with seven new shocking chapters that are as fun as they are frightening.The unimaginable mental anguish of being buried alive…The intimate betrayal of discovering your lover is a sadistic demon…The maddening horror of voices of loved ones mimicked by ancient evils…The existential burden of a dead parent’s final wish unraveling the fabric of reality itself…Exclusive Offer for DREAD Podcast Network listeners:Start your 30-day free trial and listen to Dark Sanctum exclusively and ad-free on Wondery+. Click here to redeem now.Dark Sanctum was created, written, produced, and directed by Mark Ramsey (Inside JAWS, Inside THE EXORCIST) with sound design by Jeff Schmidt (Dirty John, Dr. Death). Executive producers are Paul Anderson and Scott McCarthy for Workhouse Media and Josh Korngut (Development Hell) for Dread Central!Listen to DARK SANCTUM exclusively and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.